"From Naples I went back to Rome, where I had a delightful week with Lord Berners. I shall never forget the adventure which later befell me in crossing the frontier at Chiasso on my return to Switzerland. I was taking my portrait, which Picasso had just drawn at Rome and given to me. When the military authorities examined my luggage they found this drawing, and nothing in the world would induce them to let it pass. They asked me what it represented, and when I told them that it was my portrait, drawn by a distinguished artist, they utterly refused to believe me. "It is not a portrait, but a plan," they said. "Yes, the plan of my face, but of nothing else," I replied. But all my efforts failed to convince them, and I had to send the portrait, in Lord Berners' name, to the British Ambassador in Rome, who later forwarded it to Paris in the diplomatic bag. The altercation made me miss my connection, and I had to stay at Chiasso till next day."
Igor Stravinsky
"Chronicle of My Life"
ISBN: 5-85285-724-6
16 July steve from USA wrote: 'Breathtaking as everything he's ever done. Rich vibrant colors and sharp visceral angles. Picasso is a master'
28 June Nikolai from Switzerland wrote: 'The painting is certainly impressive, to say the least. But what has always struck me as curious is that none of Picasso's other works from this period are anywhere near as accomplished as this painting. It is a well known fact that at one time it was a common practice in teaching painting, for the master to repaint areas of the student's work. In the case of this painting, I cannot help but wonder how much of it might have actually been painted by Picasso's father.'
14 June Ricardo Lapin from Switzerland wrote: 'How much perversion to treat a couple as if they were an object (a model, "muse", etc.) and be indifferent to painting their suffering over and over again, for years without doing anything to help her.'
24 May byats wurnt from Switzerland wrote: 'I think, when dealing with an abstract piece, one must take an approach similar to reading.
On the right, I can see buildings, a staple of modern life.
Warm colours, may indicate heat?
There's a curtain on the left harlequin.
Now we just have to make sense of it.'
15 May Wong Tsz Hang from Switzerland wrote: 'The drawings are confusing, there are many colours mixed together and don't know what it is. And it looks unusual.'
23 April Santiago from San Diego wrote: 'Did Picasso ever draw some daises white and yellow on a window sill?'
30 March Cassandra from Scandinavia wrote: 'This in intruiguing, I am researching this painting for a school project.'
25 March Cosma from Germany wrote: ':) Look at this great picture and smile. GO PAINTIG NOT WAR'
24 February Vic from Melbourne wrote: 'Can't believe Picasso made a sculpture of Ye himself'
12 February Alan from Rochester wrote: 'Anybody know in what museum or collection HEAD OF A WOMAN WITH BLUE HAT RED RIBBON
(Tête de femme au chapeau bleu a ruban rouge), 1939 is located?'
10 February Micheal Scott from Rochester wrote: 'This says a lot about our society.'
24 January Per Hansen from Hawley, PA wrote: 'French to English translation is incorrect for painting labeled "Man leans hands across has table", 1916.
Correct translation: Man with hands crossed leaning on a table'
![Composition with character [Woman with arms crossed]](images/works/2283_s.jpg "Composition with character [Woman with arms crossed]")
![[Pierrot and Harlequin] Harlequin and Pulcinella III](images/works/2495_s.jpg "[Pierrot and Harlequin] Harlequin and Pulcinella III")
